Yesterday I wrote about what I think makes some subjects “academic” and other subjects, while still worthwhile, not academic. The discussion on Twitter immediately afterwards was particularly helpful in helping me reconsider some points and defend others (although by now it largely seems to have been replaced by various progressives arguing against things I never said).
My original argument was that the use of the word “academic” to describe a subject corresponds to those subjects where mastery of the subject was characterised by further study (e.g. history or maths) and not those subjects where mastery is characterised by some distinct activity or skill (e.g. woodwork, painting or football). I acknowledged grey areas (music and MFL can be taught in either academic or non-academic ways) and emphasised that the difference between academic and non-academic subjects does not lead to a value judgement. I also put forward the view that trying to make the non-academic subjects more academic (or vice versa) didn’t do them any favours. I’m still largely happy with what I said but there is something I got wrong, something that I didn’t think about and one new point that I would like to consider.
I will start with the point I got wrong. Because my definition referred to mastery, I think I ended up over-emphasising elite performance. While I still think that the best school plays might indicate the best drama teachers, and the best sports teams might indicate the best games teachers, I should have accepted that general improvement in performance, for everyone at a school, is at least as important as how good the school’s elite are. I should have accepted that participation in, say, sports or the arts might also be important. I will stick to my position that the best drama teaching results in better acting and the best football teaching results in better football playing, but I would not judge these things only by the elite actors and footballers in a school. I stand corrected.
The point I did not think about enough was how subjects are defined and did not make enough effort to be precise in the subjects I talked about. I was amazed that several people expanded subjects way beyond the content I considered them to have. People kept telling me of amazingly academic things that are part of drama that were not acting, from the history of the theatre to the theoretic basis of criticism. I have a GCSE in drama. I did not study one of those things. But, of course, the curriculum changes, particularly in subjects where there has been a deliberate effort to make them seem more academic. I was aware of this in design and technology, and that was why I referred to woodwork and metal work rather than to design and technology. Non-academic subjects are repackaged and have academic content added. Anyone who believes the subjects as they are currently formulated in the GCSE curriculum are definitive will, of course, see them as more academic than they need be. But that is begging the question. I was starting a debate about whether these things are being packaged the right way. We need to look at things from a perspective outside the current framework of assessment and subjects.
To apply my definition, we need to be able to distinguish between the essential and the accidental features of a subject. Acting is essential to learning drama; it is not clear to me that anything else, even if relevant in some ways to drama, is. If the essential elements of a subject are non-academic then it does not matter if the accidental ones are, particularly if they may have been added to the subject to give it more academic credibility. Similarly, learning biology is not essential to learning to play football, and learning how to design a menu is not essential to learning to cook. Perhaps, some subjects will be lacking in essentials and need to be completely rethought and we can perhaps reject any contemporary subjects that have been invented entirely to makes something practical sound more academic. Cookery is a skill in its own right, it shouldn’t have to be repackaged as “home economics” or “food technology”. As far as I can tell some design GCSEs are a way to make some really quite wonderful practical skills look more academic, with coursework folders and written work and without actually testing if somebody can,say, hammer a nail in. PE also raises some issues. I was wrong to think of it as sports. It also covers fitness and we should recognise mastery of it in those who attain a high degree of physical fitness even if they do so without playing sport. Perhaps we would be better off thinking of sport and fitness as two separate subjects. This might seem a contrivance to get round the shortcomings of my definition. However, accepting the current curriculum structures as guidance for subject boundaries and content is not an option, that would simply be accepting decisions that, in some cases, are very recent as telling us the nature of activities that may have been done for thousands of years. We might also get around those subjects that seem to be in grey areas by dividing them into more than one subject, so as to better reflect the nature of the content, rather than the conveniences of the curriculum. Is creative writing really part of the same subject as grammar and literature, or is it an art?
Finally, we have the question of what happens when we go beyond the typical school subjects. There was an assumption among many people that the non-academic subjects I was talking about vocational subjects. Actually, I avoided the word “vocational” as it is not applied consistently in schools. Just because something does not lead to further study, does not mean it is suited to the workplace. A lot of people asked questions that referred to the world outside of schools. Some claimed that if something was studied at university then it must be an academic subject. But of course, universities exist to study things academically. Just because a university might teach sports science, it does not make football an academic subject. You might as well argue that a university teaching criminology makes burglary an academic subject. Universities create new academic disciplines to study things that are not academic disciplines. Sports science, political science, business studies are so called precisely because sports, politics and business are not academic subjects in themselves and have to be made so. The really interesting cases are probably the professions. Are medicine and law academic subjects or not? Perhaps part of the answer here is in the concept of a profession itself. Professions are not just jobs, they are also defined by having a particularly extensive body of knowledge in a way that other jobs do not. Perhaps that is what makes them the hard case, because we struggle to see the dividing line between doing the job and studying that body of knowledge.
Before I finish, I should point out again that this has been an exploration of definitions and the nature of subjects. It has not, and has never been, about policy. Some people think that if you say drama is not an academic subject and it is not best served by being tested in exams, then you would abolish drama GCSE and replace it with nothing and thereby drama would cease to be a priority for schools. I do think drama is more important than drama exams and I really mean this. I would hope getting rid of drama the pseudo-academic subject would not kill drama the art but, if this is a risk, then I am asking here for ways to prevent that, not suggesting it should be allowed to happen. I have no interest in getting rid of non-academic subjects, just replacing pseudo-academic subjects with the actual arts, crafts and sports they currently distort.
3 ways phonics denialists will try to fool you
November 25, 2017I don’t teach reading. The only reason I take an interest in the phonics “debate” is that it’s the one area of teaching where the evidence seems overwhelming. Study after study, review after review (or rather the ones that look at a significant body of empirical evidence) conclude that the closer a method of teaching reading is to Systematic Synthetic Phonics (SSP), the better it is. This is not just the best established empirical result in education, it’s probably the best established result in the entire social sciences. As such, the teaching profession’s willingness to listen to the evidence about this, also indicates our status as evidence-informed, rational professionals.
Unfortunately, like climate change, evolution or vaccination, the conclusions reached are challenging to some ideologies. This means there are those who wish to deny the evidence, usually by confusing people, misleading them or outright lying to them. I wrote about phonics denialism a few years ago.
Since then, some of the debate has moved on. The introduction of the phonics check has undermined those who claim to be teaching phonics, but not SSP. The check is a test of being able to read the phonetic information in text, if children have been taught phonics successfully they will pass it. Anyone who claims that the check will not work for the kids they have taught phonics to, has not taught phonics, and that seems to have ended that debate. Another, now discredited, argument was that the phonics check would penalise good readers because, despite decades of research indicating the opposite, good readers no longer use phonetic information to read. The results show this isn’t true. So denialists have moved on (or at least they have when there are people around who might challenge them, there are still publishers and newspapers that will print any old nonsense uncritically). Here are the 3 arguments I now hear most often from phonics denialists.
1) The Phonics Fork Ad Hominem
I suppose technically this is 2 arguments, but they are often combined and they are both attacks on the person not the content of their argument. Phonics denialists are most often challenged by one of the following two types of people:
The way that the Phonics Fork works is that there is a go to ad hominem argument for both situations. If they are challenged by somebody who is an expert on phonics, then the phonics denialist will point out that they earn a living from phonics and are, therefore, a vested interest who cannot be trusted. One denialist troll actually used to respond to experts by saying “kerching” – onomatopoeia for the sound of a cash register or a fruit machine paying out – in order to indicate they make money from their expertise and, therefore, cannot be trusted. (Yes, that is the level of sophisticated debate we are dealing with here.) However, if they are challenged by somebody who isn’t in any way an expert, somebody like me, who is only aware of the broad thrust of research and how often denialists have been proven wrong by the evidence, they respond with “well you haven’t taught anyone to read, we shouldn’t listen to you”. This means the only opinions that are permissible in the phonics debate are from those who have been involved in teaching kids to read, but have no expertise in the best way to do it. Which is, of course, the people who are least likely to be in a position to challenge the denialists.
2) Ron Burgundy Syndrome
The consensus amongst the experts about how children learn to read is that once children can decode a word phonetically, then if they understand the word when they speak, then they can understand it when they read it provided they can read fluently enough. If children are not fluent decoders, then they may end up sounding out a word successfully, but not be able to pay attention to meaning at the same time. Also, if they do not know the words in the text they sound out, they will not understand it. Phonics denialists have seized on this as a problem with phonics, rather than a lack of fluency or a lack of vocabulary and claim that non-phonics methods of teaching reading are required to prevent Ron Burgundy Syndrome, an implausible condition where children can decode fluently, reading out familiar words, but having no idea what they’ve said. The only evidence that this condition exists is in the following clip from the film Anchor Man, which I guess for phonics denialists was a documentary not a surreal comedy (warning: contains strong language).
James Murphy wrote a great blogpost listing just some of the evidence that SSP is not just “barking at print” (a common slogan used by denialists) but actually helps understanding too. But phonics denialists will claim that their discredited methods, which undermine good phonics teaching, are necessary if children are to develop “inference skills” or some other ephemera that is meant to underlie comprehension.
3) I’m just saying phonics is not the only part of reading
Perhaps the most common argument I see from phonics denialists these days is one based on equivocation. It is based on phrases such as:
All these phrases are wonderfully ambiguous. On the one hand they may be saying children need other things, such as vocabulary and background knowledge, as well as systematic synthetic phonics, to become good readers.
This is something that everybody agrees with. If anybody disagrees with one of the phrases above, a phonics denialist will simply say “well what about vocabulary?” or “well you could sound out words in a language you don’t understand, that wouldn’t be reading” or some other way of arguing (correctly) that phonics alone is not enough without the knowledge needed to understand the language in the text.
However, if not asked to clarify that this is what they mean, phonics denialists will claim that what you need as well as SSP, is teaching using discredited denialist methods: (multi-cuing, word recognition, look and say, etc.) that actually undermine good phonics teaching. It is absolutely vital that, the moment somebody says anything along the lines of “there is more to reading than systematic, synthetic phonics” you pin them down on exactly what they mean. I find just asking “are you advocating multi-cuing?” can be enough to call their bluff.
Another variation on this is to look at the ways a teacher might develop a student’s vocabulary, such as talking to them, using picture books, reading them stories, having interesting books in the classroom, and suggest that teachers who accept the evidence on phonics are against all of these things. In this fantasy, phonics denialists are the only people saving children from 8 hours a day, sat in rows, being drilled in learning letter combinations from a chalkboard while being banned from seeing a book or an illustration.
None of the above 3 denialist tactics are rational arguments. They are tricks used by people who at best intend to confuse, and at worst, intend to deceive. If you see these points being made, I encourage you to challenge them.
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